Some minds have always sought answers to eternal questions and the Greeks called this Philosophy. The quest for knowledge was not just confined to the West, Philosophy thrived in China, India and Japan. In the companion to GRR’s acclaimed miniseries – A Brief History of The Divine, Jack “The Agnostic” Garcia examines Eastern Philosophy and religion from a spiritual , moral and ethical perspective and chronicles the history and mystery of Eastern thought.
In a brand new entry in the highly acclaimed series -Jack “The Agnostic” Garcia plays storyteller and recites three whimsical but supernatural tales from the rich tapestry of Native American folklore.A sacred story of creation – Why The Owl has Big Eyes. A bone chilling tale of a monstrosity – The Flying Head – and The Powerful Boy in which a super strong but tiny child disobeys his father again and again.
Jack “The Agnostic” Garcia digs deeply into ancient texts and chronicles the evolution of alchemy , a lost mystical art and sience that was the precursor to modern day chemistry and pharmaceutical medicine. The heart of alchemy was spiritual and the search for the secrets of nature , a type of religious quest with the belief that metals live and grow within the Earth, and the elusive Philosopher’s stone coud also bring about spirtual perfection and immortality. Alchemy also included an interest in healing and prolonging life , and the Medieval and Renaissance era physician depended on the ancient art/science as a source of new medications. Alchemists kept their secrets hidden well by utilizing dream sequences in their literature and symbolic art that was both religious and erotic, making sure that sacred information was given only to the initiated discipline.
Jack “The Agnostic” Garcia examines the most ancient of the world’s medical systems that was begun in India. And passed down generation to generation via the oral tradition for centuries before being written down in the sacred sanskrit language sometime during the 2nd Millennium B.C. A system that looks at the whole person (mind /body & spirit) and not just the symptoms to be masked or eradicated. Humanity is linked to the eternal elements of nature and balance must be maintained in order to preserve good health. Jack also examines the mysterious origins of Ayurveda an enigmatic combination of mythology , legend , spirituality and philosophy – and checks out some of the many ancient herbal remedies that are rapidly entering the mainstream in the West.
At first glance the science fiction and fantasy literary genres may seem unconcerned with spirituality and religion …but…many of the roots of early sf/fantasy are overflowing with the traditions of the religious imagination. And even modern day sf/fantasy has a strong interest in metaphysical and transcendental imagery and themes , the growth of early sf/fantasy literature also coincides with growth of the spiritualist movement. The narrative thrust was either antagonism between science and religion or a reconciliation between the two , and many early writers and dreamers were churchmen or sons of clergymen who used their literature to rebel against orthodox christian cosmology and theology. Jack “The Agnostic” Garcia – a lover of genre literature examines the role of spirituality in Science Fiction / Fantasy concepts include religion, God , the soul , eschatology & reincarnation and The Messiah.
In the season #15 premiere, Jack “The Agnostic” Garcia examines The Theater of The Absurd, a philosophical and dramtic movement that flourished between the late 1920’s to the mid 1970’s and viewed the universe as an indecipherable and mysterious place – a place ripe with comic and tragic possibilities. Playwrights who challanged the conventions of modern drama include – 1 Luigi Pirandello – a quasi-illusionist who questioned the nature of identity and the relativity of truth. 2- Friedrich Durrenmatt – Whose works fall into the realm of grotesque , black comedy. 3- Samuel Beckett – Whose plays are overflowing with allusions to literature , philosophy and theology. 4- And last but not least – Jean Genet – who transformed the obscene and erotic into his own unique poetic and anarchistic vision of the universe.
A poisoned , sick and possibly dying Jack “The Agnostic” Garcia examines The American Horror Film of The 1930’s – this may be the last Godrock Radio program ever-
Noted film historian and lover of genre movies – Jack “The Agnostic” Garcia examines the development of early talkie (1930-1939) horror cinema. With the codification of the American horror film , thanks to the success of Universal’s Dracula & Frankenstein (1931) , other studios decided to begin their own cycle of horror films culminating in the first sound Golden Age of horror cinema. First up its little known and forgotten gems – like Dracula’s Daughter (1936) an overlooked Gothic sequel to the Bela Lugosi classic in which a moon faced and beguiling Gloria Holder seeks love and eternal release. Next up its , Dr. Jekyll and Mr. Hyde (1931) – whose sexuality was so explicit that many steamy scenes were edited out of many initial release prints and Murders in The Rue Morgue (1932) a creepy and perverse adaptation of Edgar Allen Poe’s classic short story which features Bela Lugosi as a twisted and obsessed deviant whose dream is to cross bred human beings with apes. Next up its Tod Browning’s sideshow classic Freaks (1932) a disturbing yet sympathetic entry in the disfigurement / deformity cycle that began in the 1920’s . Then its the team up of ghoulish and strange Lionel Atwill , Fay Wray and director Michael Curtiz – Dr X (1932) and Mystery of the Wax Museum (1933) an interesting and macabre mixture of horror and chills that would become highly influential and be remade many many times. Jack also examines many other highly stylized forgotten gems , curios and obscurities that frightened not only the audience but censors as well.
Feeling that the story of the Silent European Horror film was left incomplete, Jack “The Agnostic” Garcia chronicles the arrival of talking pictures or sound on film. An event that would unleash unforeseen forces that would rock the foundations of the international film industry with a period of chaos and instability. When sound horror films arrive in Europe nobody was more horrified than the film censors who cut and butchered them to pieces. Major film studios were put off by the limitation of patrons and distribution , the result being that with the exception of Britain, the horror film in Europe all but died. Jack examines the birth of the British horror film , an art form ignited by the Victorian taste for theatrical blood and melodrama and linked to a famous murder case with a supernatural ending that caught the imagination of the public and was filmed again and again. Then its the work of Boris Karloff in his native England, movies that would try and capture the look, manner and feel of his Universal films. And where goes Karloff, so goes Bela Lugosi but to lesser studios and budgets of course. Up next, the little known British fright film star , Todd Slaughter – who was the last in the line of Old School Victorian villains , Slaughter was an extraordinary cinematic presence – totally stylized in word and gesture and gleefully contemplated his evil deeds with sheer utter delight. With bigger studio support and larger budgets he could have been an international rival to Karloff and Lugosi. And last but not least , its some of the few European horror films produced during the 1930’s – including such classics as Carl Theodore Dreyer’s – moody atmospheric , disturbing and dream like Vampyr (1931) & Frank Wisbar’s – little known gem – Death & The Maiden – an enchanting and haunting story based on an ancient Nordic folk-tale.
With the Halloween specials now under his belt, Jack “The Agnostic” Garcia returns to GRR’s highly acclaimed mini series , this time examining the role of the divine in the altered state of consciousness that we all experience and share-Dreaming. First up, its the ancient Egyptians and Babylonians who believed that dreams were coded messages sent by the Gods to sleeping minds and that those nocturnal images were a pathway to another dimension and another reality. Utterly fascinated with unlocking the mysteries of their dreams they established the act of dream interpretation. Then its – the ancient Hebrews and the role of dreams in the Old and New Testaments – where dream interpretation as viewed as a God given gift , and the dream expert was chosen to solve the symbolic and allegorical features of the dream. While in the New Testament , dreams illustrate divine intervention and guidance in the lives of Christ and his apostles. Next up, its ancient Greece and Rome – where dreams were believed to be phantoms that could assume different shapes at night. They visited sleeping mortals and projected the dream images into the mind’s eye. Signs and symbols that may be of divine origin. Then its the ancient Near East – where in India the Hindu/Vedics equated dreams with waking life and even believed that creation itself was the divine dream of a God. Chinese literature is overflowing with speculation about the nature of dreams and it was thought that waking and dreaming coexisted and were the same being. Next stop, the Native Americans who cherished and depended on their dreams , and used them to shape many aspects of tribal life – dreams and visions were the source function of their spirituality. Then its the Aborigines of Australia – who believe that all life is spiritually connected and that humanity originated in the Dream-Time. A different land , a different dimension and a different spiritual plane. The Dream Time is both an epoch of history and a state of being that remain accessible to those that participate in the ancient rituals. And last but not least – Jack recites The Momentous Dream journey of Mohammed. The sacred story in which the Prophet of Islam embarks on a mystical dream voyage that will take him to some of the Holiest places on Earth , a whirlwind tour of the universe , the Throne of God, Paradise and even Hell itself.